Jululu

MigrArti Film festival 2017 has decided to grant the ‘best director’ award to JULULU during the 74th Venice Film Festival. Jululu is described as a “musical journey in a corner of Africa situated in Southern Italy”, which brings us to the problems of farm labourers in the region of Puglia.

The shortfilm, which was born from an idea of ​​Sestilia Pelicano and Yvan Sagnet, was produced by Lazy Film. The photography is by Stefano Usberghi and directed by Michele Cinque. The storyboard comes from the dual perspective of Yvan Sagnet and Badara Seck.

Badara Seck is a Senegalese musician and griot, who navigates the Italian farmlands in search of Jululu, the African collective soul. To end up in one of the ghettos where immigrant agricultural workers live during the harvest season.

Yvan Sagnet is an important exponent of migrant labourers’ revolts in Italy. His movie gets awarded two months after the SABR trial, issued by the Court of Lecce on 12 July, which -thanks to the key witness of Sagnet – condemned in the first instance gangmasters and  agricultural entrepreneurs, which had been denounced during the 2011 revolt at Bonardi’s farm in Nardo.

 

At the same time, migrant labour conditions have for from improved, and ghettos continue to spring up in the fields of Puglia, Basilicata and Calabria -despite the frequent destruction that has been repeatedly reported on these pages. Notably in Rignano, where regional authorities have eradicated the informal settlement, which hosted over 2000 labourers during the Summer months, a new ghetto has arisen, this time in the form of a ‘camping’. Commenting the release of a recent report by the syndicate FLAI-CGIL, president Giovanni  Mininini says that “substantially nothing has changed” in the way labourers get recruited and subjected to exploitation in this hidden corner of Southern Italy.

 

 

 

 

 

 

 

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