In passing, I mention this art movie produced by Nico Angiuli, winner of the arts and human rights competition for young artists and cultural institutions curated by Connecting Cultures and Fondazione Ismu, which is on display in Rome’s Quadriennale’s exhibition.
The project involves the Tre Titoli hamlet, nearby Cerignola, in Southern Italy’s Puglia Region. It narrates the symbolic intersection of the Ghanese community, which over the last decades has occupied some of the abandoned houses left after the hamlet’s faltered agricultural reform of the 1950’s and 70s, with that of the rural proletarian struggle led by union leader Giuseppe Di Vittorio during that very period.
Aware of these dire conditions, the artist aims at abandoning the usual two-dimensional representation of this African ghetto in the media by introducing practices of self-narration, in order to allow for a more complex scenario of compromise and tension, and thus giving voice to spontaneous micro-processes of resistance against widespread attempts to normalize this marginalisation process of local voices.
The project has been realised in collaboration with Terra Piatta (or ‘Flat Land‘), a program of research and artistic, social and cultural production, curated by Vessel, a cultural platform in Lucera, Puglia, with a specific focus on artistic practices in dialogue within a rapidly changing rural context.