I am glad to announce the appearance of the paperback version of my book Violent Capitalism and Hybrid Identity in the Eastern Congo with Cambridge University Press. The book comes at a time of great turmoil in Congo’s north-east, where the end of armed conflict is not at all in sight, as recent reports from Ituri and le Grand Nord reveal. Reading through the detailed colonial and postcolonial history of this region makes one aware of the underlying dynamics of this armed conflict, which finds its origins in a series of intricate relations between regional politics, cross-border economies and capital accumulation. As Janosch Kullenberg writes in a recent review: the book moves beyond the “stereotypical and simplistic understandings about state failure and chronic violence in central Africa [which] have not led to great insights about either the mechanisms at work, or the emerging orders.” Instead the recent reports about continued violence in Eastern Congo make it worthwhile to approach this “constant crisis” through the long-term consequences of every day decision-making through a “ethnography of critical life worlds”.
Since my last posts mentioning border art and the Black Mediterranean, I’ve been receiving some additional suggestions. In the following post I discuss some of them.
The Democratic Republic of Congo is often represented as an isolated “Heart of Darkness”. Its booming cross-border trade nonetheless represents a powerful answer to state collapse and armed conflict and introduces new, surprisingly liberal, forms of government.